论文部分内容阅读
我国“十七年”时期的少数民族题材电影是国家意识形态的宣传工具,但它们对意识形态的书写较之其他题材影片而言是带有弹性的。这种书写策略表现在两方面:1.影片内容具备一定的类型性特质,塑形且契合了受众对此类电影的期待,使意识形态意图变得温和;2.情节化的叙事姿态降低了影片欣赏难度,拓展了受众参与面,扩大了主流政治话语的影响力。二者的合力使少数民族题材的电影表述成为具有示范性的电影艺术意识形态经验。
Minority theme films in China’s “Seventeen Years” period are propaganda tools for state ideology but their ideology is more flexible than other themed films. This writing strategy is manifested in two aspects: 1. The content of the film possesses certain typological characteristics, which are shaped and matched with the audience’s expectation of such films, so that the ideological intention becomes moderate; 2. The plot narrative attitude is reduced Difficulties in film appreciation, expand the audience participation, expanding the influence of mainstream political discourse. The synergy between the two makes the movie narration of minority nationalities a model movie ideological experience.