本文从罗兰·巴特后期文本中的一个关键词入手 ,分析“倒错”概念在巴特思想中被颠覆的原因 ,以及被颠覆的“倒错”所具有的“无生殖目的”和“迷醉”性质 ,在此基础上讨论这两种性质与抵抗大众文化、去除文本实践中的“父亲”及超我之间的关系 ,最终阐发罗兰·巴特的“迷醉写作”思想对文本理论的独特发展。 This article begins with a key word in Roland Barthes’ later text, and analyzes the reason why the notion of “inverted error” was subverted in the thought of Barthes and the “non-reproductive goal” and “fascination” of overturned “inverted” On this basis, we discuss the relationship between these two properties and resistance to popular culture and the removal of “father” and super-ego from the textual practice. Finally, we elucidate the unique development of Roland Barthes’ thought of “enamored writing” for text theory.