《红楼梦》文本中存在一种有义无形,但不属于零式指称范畴的视觉主体。本文尝试提出隐含视觉主体的概念,采用证伪和证实相结合的方法,依据不同叙事视角下的客体特征和全知叙述者对于叙述的时空调控特点,对隐含视觉主体进行解析,并得出其确切所指就是全知叙述者的结论。在此基础上,本文根据视觉动词的不同篇章分布位置,参照《红楼梦》两部英文全译本,着重探究段首隐含视觉主体及视觉动词在译文中的处理方法。 There is a kind of visual subject in the text of A Dream of Red Mansions which is invisible, but not in the category of zero reference. This paper tries to put forward the concept of implicit vision subject, uses the combination of falsification and confirmation, analyzes the implicit vision subject based on the object characteristics in different narrative perspectives and the narrative’s temporal and spatial control characteristics, and draws the conclusion Its exact meaning is the conclusion of the omniscient narrator. On the basis of this, according to the distribution of different chapters of visual verbs and referring to two English versions of A Dream of Red Mansions, this dissertation focuses on the treatment methods of visual subjectives and visual verbs in translation.