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“舞悦内蒙古”舞蹈精品展演的剧目,是由内蒙古舞蹈家协会组织专家进行挑选的,属于专业角度标准下的选择,在推选剧目——组织排练——进行展演的这一过程中,没有非官方组织以及非专业舞蹈机构参与。笔者以文化人类学视角将这一情境下的“舞悦”展演看作是官方角度的记忆表述,是官方权力对内蒙古舞蹈发展历史的阐释方法。展演中通过对观众身份的再造与互换,利用传媒以及现场观众的能动性向外界塑造巨大的幻象,建构出展演的价值意义,完成其在“草原文化节”这一仪式中的使命,以舞蹈的方式表述了草原文化内涵,也通过展演的重复在内蒙古地区的舞蹈语境中建构了一种文化认同的方式,“舞悦”展演既建构了内蒙古的舞蹈神话,也塑造了内蒙古的舞蹈信仰。
“Dance Yue Inner Mongolia ” dance boutique repertoire, by the Inner Mongolia Dancer Association organized experts to select, belong to the choice of professional standards, in the selection of repertoire - organization rehearsals - to perform this process, No non-governmental organizations and non-professional dance institutions are involved. From the perspective of cultural anthropology, the author regards the performance of “Dan Yue ” in this situation as the memory expression of the official angle and is the official power interpretation of the history of dance in Inner Mongolia. Through the reconstruction and exchange of spectator’s identity, using the media and the initiative of the audience at the show to create a huge illusion to the outside world, to construct the value of the performance and accomplish its mission in the ceremony of “Grassland Culture Festival” It expresses the cultural connotation of grassland by means of dance and also constructs a way of cultural identity in the context of dance in Inner Mongolia through repetition of performances. The performance of “Yue Yue” not only constructs the dance myth of Inner Mongolia, but also shapes Inner Mongolia dance faith.