对于中国古典名著,我最早是从评书开始接触的。犹记得小时候,暑期午后,在慵懒中躺在床上和老人一起听单田芳老师略带沙哑而又中气十足的声音演绎着一个个神奇的世界,便是当时最大的享受。我当时听过的评书有《三侠五义》《白眉大侠》《水浒传》等,其中印象最深、让人至今回味无穷的,是《水浒传》中武松的两段武戏:醉打蒋门神、血溅鸳鸯楼。 For the Chinese classic, I was the earliest from the storytelling contact. I still remember when I was a child. After a summer afternoon, when I was lying in bed in a lazy couch, listening to a slightly hoarse and full-bodied voice of Master Montaigne with the elderly in a magical world, I was enjoying the greatest enjoyment at that time. The commentary I had heard at that time was “Three Heroines and Five Ways”, “White-browed Heroes” and “Water Margin”, among which the most impressed people so far are memorable two martial arts films of Wu Song in The Water Margin: Gatekeeper, blood spat Mandarin House.