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众所周知,传统京剧中是没有古筝这件伴奏乐器的。随着时代的发展,京剧音乐也在不断变化着,一批京剧作曲家在很多新编京剧的创作中,都将古筝引入到京剧乐队中。近十年来,笔者参加了一些传统剧目与新编剧目的排练和演出艺术实践,有了很多心得,且在艺术上有很大的开拓性认识,发现古筝在京剧文场的地位越来越重要。笔者在演出实践中,努力将所学的古筝音乐理论、演奏技法与实践相结合,尝试着把中国的民族乐器——古筝与中国的国粹——京剧艺术融合在一起,更好地烘托
As we all know, there is no guzheng accompaniment instrument in traditional Beijing opera. With the development of the times, Peking opera music is constantly changing. A group of Peking Opera composers introduced the guzheng into Peking opera bands in many new Beijing opera productions. In the recent ten years, I participated in rehearsal and performance art practice of some traditional repertory and new repertory with a lot of experience and great pioneering understanding in art. I found that the status of the zither in the opera field is more and more important. In the performance of the practice, the author tries his best to combine the theory of zither music, the technique of playing and the practice, and tries to combine the national musical instrument of China - guzheng with the quintessence of China’s Peking Opera - to better contrast