“戏无情不足以感人,戏无技不足以惊人。”这句梨园谚语言简意赅,准确地概述了中国传统戏曲艺术“戏”与“技”之间的辩证关系。作为从事戏曲表演十多年的我,对这种辩证的关系有着深刻的理解。 “The opera is mercilessly not touching, the opera is not enough to be alarming.” This phrase proverb proverb gives an accurate overview of the dialectical relationship between traditional Chinese opera art, “opera” and “skills”. As a person engaged in theatrical performances for more than a decade, I have a profound understanding of this dialectical relationship.