中国现代主义文学是在接受西方影响下发生的。作为既成的一股创作势力 ,其实际成果在第一个十年中有向西方现代主义文学作对位移植的迹象。但第二个十年以后直到 2 0世纪末 ,它在自身的发展过程中已不表现为对现实主义、浪漫主义的反传统倾向 ,而强调以既完整又全面地表现人这一隶属于现代主义文学质的规定性的创作思路对现实主义、浪漫主义的渗透、扩大 ,特别是鲁迅提出的象征印象主义与写实主义相调和的主张 ,以及包括他本人在内的诸多 2 0世纪中国新文学作家的实践 ,已为现代主义文学在中国作出本土定位 Chinese modernist literature took place under the influence of the West. As an established creative force, its actual achievements have shown signs of transplanting to Western modernist literature in the first decade. However, it did not show itself as an anti-traditional tendency toward realism or romanticism until the end of the 20th century after the second decade. Instead, it stressed that it should not only be a complete and comprehensive representation of human beings as belonging to modernism The creative thinking of literary materialism infiltrates and expands realism and romanticism, especially the proposition that Lu Xun put forward to reconcile the impressionism with realism, as well as many new Chinese literary writers including himself in the 20th century Practice, has made the localization of modernism literature in China