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本文从乌托邦美学的框架出发,考察樱井大造带来的跨东亚帐篷剧文化现象,探讨在全球资本主义时代帐篷剧的戏剧美学形式。帐篷剧其实是一种流动的乌托邦,对于当下全球化的政治经济逻辑带有一种批判,其美学化时空,以及“他者化自我”的戏剧创作和展演过程,打开了演员与观众身体的想象力,创造了主体再构造的可能,最后形成共同体的新想象,于是,在情感与劳动的双向作用中,我们看见新的乌托邦在地平线浮现。
Based on the utopian aesthetics, this article examines the cultural phenomenon of the East Asia Tent Drama brought by Sakurai Taizo and explores the aesthetics of the drama in the era of global capitalism. Tentage is actually a kind of flowing utopia, which has a critique of the political and economic logic of the present globalization, its aesthetics of time and space, and the process of drama creation and performance of “Otherness ”, opening the actors and the audience Imagination, created the possibility of the reconstruction of the subject, and finally formed a new imagination of the community. Therefore, in the bidirectional role of emotion and labor, we see that the new utopia emerges on the horizon.