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主持人按语:20世纪以来,在鼎故革新的旗帜下,英美诗人完成了一波又一波华丽的诗歌革命,诗歌从对主客世界的表现逐渐转向了对自身的审视,从而导致诗歌美学观念的颠覆和诗歌文本及其意义机制的重构。本栏目收录三篇论文,总体研究与个案研究结合,为探析现当代英语诗歌的诗学观念及其文本载体提供了重要的观察点。罗良功教授的论文《诗歌是语言的艺术吗?——英语诗歌文本初论》基于对英语诗歌文本的考察,认为:诗歌不仅仅是语言的艺
Moderator: Since the 20th century, under the banner of the reform of Ding, the British and American poets completed a wave of gorgeous poetry revolution, poetry from the performance of the subject and object to the self-examination, leading to aesthetics of poetry The Subversion and the Reconstruction of the Poetic Text and Its Meaning and Mechanism. This column contains three essays, the combination of general research and case study, which provides an important observation point for exploring the poetic concepts and text carrier of modern and contemporary English poetry. Professor Luo Lianggong’s essay “Is Poetry the Art of Language? -An Introduction to English Poetry Texts” Based on an examination of English poetry, I think that poetry is not merely an art of language