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当费舍尔·代斯考(D.Fischer—Dieskau)被问到他的歌唱艺术技巧和解释精神师承于何人时,他旧答说他的两位老师都是米·斯托克豪森的学生,而斯氏又是加齐亚第二的学生。关于这方面的问题答案,大部份可在苏格(Sugg)1973年出版的那本《历史的与现今的声乐技巧观点的比较研究》著作中找到。在和加齐亚一家及他的那些位歌唱家加以比较来说,加府诸人基本上是专注于歌剧方面的,而斯托克豪森则更多的是从事于艺术歌曲(lied)方面的演唱。事实上,由他女儿所写的关于他的传记,就名之为《朱·斯托克豪森:德国艺术歌曲的歌唱家》。在1848～68年的二十年间,他活跃在欧洲各大音乐中心。他担任了《Dic Schone Mullerin》的首次公开
When D. Fischer-Dieskau was asked about his art of singing and explaining who the spiritual master was from, he said old two of his teachers were M. Stockhausen Student, and Sri Lanka’s second student is Gazi. Much of the answers to this question can be found in Sugg’s 1973 book, A Comparative Study of Historic and Contemporary Vocal Techniques. In comparison with the Gazazi family and his singers, the Gadgets basically focused on opera, whereas Stockhausen focused more on lied Singing In fact, the biography of his daughter about him was named “Djokovsky: The Singer of German Art Songs.” During the 20 years from 1848 to 68, he was active in major European music centers. He served as the first public release of “Dic Schone Mullerin.”