论文部分内容阅读
在“阅读方阵”这个栏目里,读者在进入文本的阅读时往往也进入了写作的认知。谚语说:一石二鸟。阅读也是一种写作。本期我们编辑的是一组咏物抒怀的文章。在深入的阅读中,你会领悟到一种流传久远的精妙的技法。陈子昂的《感遇》以咏兰若的盛衰变化,来抒发自己不遇的情怀。而苏淘的《木假山记》则以诗的技法来写散文,同样是借物抒怀别有衷曲。这些是不是可以当作大师级的经典来读?现当代的三篇选文,刘白羽《雪松上的泪珠》是不是深得这古典的真髓?而汪曾祺《狼的母性》及牛大《漂亮的房子》由物衍生为写事却脱不开写物的底子。它们或委婉或曲折或直白或舒放。咏物抒怀的写法,不管是古诗文还是现代散文,总不外乎由物生情,托物言志,寄慨遥深;但决少不了格物致知的功夫。
In the “read square” column, readers often enter the writing of cognitive reading into the text. The saying goes: one stone two birds. Reading is also a form of writing. This issue we are editing is a collection of articles to express their feelings. In the depth of reading, you will perceive a subtle technique that has spread far and wide. Chen Zi-ang’s “feeling” to Wing Lan if the ups and downs of change, to express their feelings not encountered. The “Amoy wood” rockery in mind is to write poetry techniques to write essays, the same thing is to express their love by other things. These are not as master classics to read? Modern and contemporary essay three, Liu Baiyu, “Teardrop on Cedar” is not won the essence of this classic? And Wang Zengqi “wolf motherhood” and cattle big “ Beautiful house ”derived from the thing as a matter of writing but also inseparable write the foundation. They are either tactful or straightforward or relaxed. Wu Yong Wu’s poetry writing, whether it is the ancient poetry or modern essay, always no more than the material and the environment, the prophecy of things, generous send generous; but ultimately, the knowledge of martial arts.