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歌唱之道始于自然。笔者通过参悟老子《道德经》中人对人、对事、对物以及对宇宙之宏论的管窥或浅解认知,于声乐教学实践中秉持“歌唱之道始于自然”的观念,经人性化、艺术化,自然、和谐的教学手段,从歌唱艺术美的角度出发,并在前贤理论的基础上试图拓展出具有自身见解的学术观点或思想方法。本着以自然的、生物属性的人为本的思想,剖析并有效地解决声乐教学中所遇到的常见性特殊性问题。解放一切有碍于发声(做作)的心理状况和习惯,像动物一样没有拘束、像婴儿一样醇厚,并带着呼吸和声音安置位置,自然地向远处呼唤出来。遵循了天然的“和”(协调)、顺应了自然的“德”(心境)、待人以真挚的“朴”(诚信与纯朴),自觉与不觉之间即走上自然歌唱之道了。
Singing begins with nature. The author through the understanding of Lao Tzu ’s “moral classics” in the people, things, objects and macroscopic views of macro or shallow cognition, in the practice of vocal music adheres to the concept of “singing begins with nature” , Humanistic, artistic, natural and harmonious teaching methods, from the perspective of singing art beauty, and on the basis of the predecessor theory, try to expand its academic opinion or way of thinking with its own opinions. Based on the human-based thinking of natural and biological attributes, this article analyzes and effectively solves the common special problems encountered in vocal music teaching. Freeing all the psychological conditions and habits that hinder sounding (writing) is as restrained as an animal, as full-bodied as a baby, and places breathing and sound to naturally call out to the distance. Follow the natural “and ” (coordination), conforms to the natural “De ” (state of mind), treat people with sincere “Pu” (honesty and simplicity), between conscious and unconscious Natural singing of the road.