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明代中后期是一个思想解放的混乱时期,话本小说与杂剧在创作题材的选择方面,生活化和世俗化的倾向愈加明显,即都积极地捕捉生活当中的兴奋点加以表现,展现世俗生活,关注百姓日用。作品的现实性得以大大加强,使之成为社会的一面镜子,美丑尽在其中。
The mid and late Ming Dynasty is a period of chaos of ideological emancipation. In the selection of creative themes, storytelling novels and zaju tend to be more vivid and lively and secularized. They all actively capture the excitement of life and show the worldly life, Concerned about people daily. The reality of the work has been greatly strengthened, making it a mirror of the society and making beauty and ugliness all in one.