浏览印制精美的《王文学书法作品集》,观赏书家《陋室铭》《将进酒》《水调歌头》《沁园春·雪》《忆秦娥·娄山关》等书法代表作,欣喜地赏析其中表现出的不同线性书法而构成的艺术情趣。多年来,我观赏并写过王文学众多的草书、行草书代表作蕴含的书法艺术魅力。在阅读观赏书家新作时,偶然欣赏了他花费很长时间、精心书写的两幅楷书长卷代表作,触摸到作者长期耕耘、临池不断的扎实基本功力,以及孜孜不倦追求书法艺术的求索精神。欣赏之余,不禁思绪万千,肃然起敬。他书写的老子《道德经》楷书长卷,尺寸长13米,宽0.34米。我逐一浏览书家认真写出来的一个个行端体正的字体,但见笔法松紧舒展,笔画井然严谨,书写富于变化,行笔线条遒劲有力,间架结构开合有序。书写的“可、常、名、之、无、天、地、万、物”等字体端庄笔正,但在相同字 Browse beautifully printed “Wang literature calligraphy collection”, watch the bookstore, “humble room Ming” “will enter the wine” “water head” “Patio spring snow” “Yi Qin E Lou Shan Guan” and other calligraphy masterpiece , Delightfully appreciate the artistic appeal of the different linear calligraphies presented therein. Over the years, I have watched and wrote numerous cursive books of Wang literature, and the calligraphic art charm contained in cursive cursive representations. While reading the new book of ornamental book-makers, I accidentally admired the two masterpieces of long scriptures that he spent a long time and carefully wrote, touching on the author’s long-term hard work, continual solid foundation skills and endless pursuit of calligraphic art. Appreciate more than can not help thinking, awe-inspiring. His writing “Tao Te Ching” regular script long scroll, size 13 meters long, 0.34 meters wide. One by one, I went through the fonts written by the book writers carefully, but I saw the ease and ease of the brushwork, the rigorous strokes, the rich and varied writing, the powerful lines and lines, and the opening and closing of the frame structure. Written “can, often, name, no, day, place, million, object ” and other fonts dignified pen, but in the same word