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俞平伯20世纪30年代的散文,蕴含着一种幽秘、含蓄的意蕴与意境,且擅于运用想象、联想、隐喻等传统修辞方式。然而,俞平伯的散文不仅仅在于对传统资源的汲取,更有意思的是,其通过花鸟、山水、月色、梦等意境与意象的选择,使文学传统在现代文本创作中找到存在的合理方式,并在现代时空艰难选择与重构中寄怀对于民族精神的思索,打通了传统与现代的隔阂,显得颇有积极的意义。
Yu Pingbo ’s essay in the 1930s contains a secret, implicit meaning and artistic conception, and is good at using traditional rhetorical methods such as imagination, association and metaphor. However, Yu Pingbo’s essay is not only about drawing on traditional resources. What is even more interesting is that his etiquette and images through the choice of flowers and birds, landscapes, moonlight, dreams and so on have made literary traditions find a reasonable way of existence in modern text creation. And in the modern time and space difficult choice and reconstruction of thinking about the national spirit, opened up the gap between the traditional and modern, it seems quite positive.