电影应承担更多的责任

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面对中国电影蒸蒸日上的大好形势,面对国家对电影大力扶持的各项政策的及时出台,电影已经作为一个重要文化产业而被提升到了一个空前的战略高度。如何迎接挑战、抓住机遇,实现建设“电影强国”的光荣梦想与宏伟目标,已然成为电影人所面临的首要任务。近年来,贺岁档的火爆成了电影市场最为抢眼的现象,也是电影业界和学界考察和研究的重点。受香港电影启发,内地贺岁片于1998年出现且有不俗票房,但最初几年一直处于势单力薄的孤军作战状态。新世纪之后,随着电影产业化改革的深入,院线和影院建设迅速发展,业内对电影放映档期的认识亦越发清晰,“五一”档、暑期档、“十一”档、贺岁档等大的档期备受关注,其中跨年度的贺岁档尤被视为最抢手的黄金档期。历年不菲的贺岁档票房为这一档期积累了好口碑,抢占贺岁档似乎成为许多制片方占领票房制高点的法宝。2009—2010年贺岁档更是达到前所未有的高度:历时四个月的档期、五十多部影片、32亿元票房,创造了中国电影的又一个奇迹。本刊认为,本年度贺岁档的火爆一方面集中体现了电影产业改革的实绩,另一方面也出现了许多新现象、新情况和新问题,对未来中国电影产业发展富有启示意义,值得认真总结和研究。为此特邀请数位业内专家和学者,就2009—2010年贺岁档现象发表各自观点和建议,希望对今后电影贺岁档运作乃至电影产业化发展能有所启迪和裨益。 Faced with the booming Chinese movie situation, in response to the timely introduction of various policies promulgated by the state in support of the film, the film has been elevated to an unprecedented strategic height as an important cultural industry. How to meet the challenge, seize the opportunity and realize the glorious dream and magnificent goal of building a “movie powerhouse” has become the primary task facing the filmmakers. In recent years, the Lunar New Year stall has become the movie market’s most eye-catching phenomenon, but also the movie industry and academia research and research focus. Inspired by Hong Kong films, the Mainland New Year film appeared in 1998 and had a decent box office, but for the first few years has been in a formidable lone combat. After the new century, with the deepening reform of the industrialization of cinema and the rapid development of cinemas and cinema construction, the industry’s understanding of the cinematographic projection becomes clearer and clearer. “51” file, summer file, “11” file , Lunar New Year stalls and other large stalls of concern, including Lunar New Year stalls across the year especially as the most sought-after prime time. New Year Lunar New Year file box office for this period has accumulated a good reputation, to seize the Lunar New Year stall seems to be a lot of producers occupy the highest point of the magic box office. The 2009-2010 Lunar New Year file is even more impressive than the previous one: a four-month documentary period with more than 50 films and 3.2 billion box office, creating yet another miracle of Chinese film. The Journal believes that the hot year Lunar New Year file on the one hand focused on the performance of the reform of the film industry, on the other hand there have been many new phenomena, new situations and new issues for the future development of China’s film industry is full of inspiration, it is worth serious sum up and the study. To this end, a number of experts and scholars from industry experts are invited to express their opinions and suggestions on the phenomenon of Lunar New Year stalls for 2009-2010. It hopes to inspire and benefit the future operation of the film Lunar New Year stalls and the development of film industry.
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