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引言中国传统绘画发展内涵丰富至极,其理论的指导是中国传统绘画发展最终极的动能。中国自秦、汉魏即有诸多名家见于哲学、文学著述中的谈艺论道,据载自东晋至清就有八百余种画论著作。如此浩大理论著述,经杨大年先生的精选妙编为《中国历代画论采英》一书,每每重读都会对中国传统绘画发展与实践有更深了悟。阅论识道,历代诸家实践所思所悟,于今仍有鲜活借鉴之意,择录原文并记个人阅后悟想文字,亦是很好的研习方式。
Introduction The development of traditional Chinese painting is extremely rich in connotation. Its theoretical guidance is the ultimate kinetic energy of the development of Chinese traditional painting. Since the Qin and Han Dynasties in China, there have been many famous masters seen in philosophical and literary writings as they talk about art theory. According to the book, there are over 800 kinds of paintings from the Eastern Jin Dynasty to the Qing Dynasty. Such a vast theoretical writings, by the selection of Mr. Yang Dainn wonderful compilation of “Chinese ancient painting theory of British mining,” a book, often re-read the Chinese traditional painting development and practice have a deeper understanding. Reading on the knowledge, all previous generations of the practice of thinking of the realization, there is still a vivid reference for today, select the original record and read the text read afterthought, is also a good way to study.