幼时家贫,吃饭时多用粗碗,只有请客时才用上细碗,还多少有点摆阔的意思,后来粗碗的记忆渐渐被景德镇的贴花细瓷给代替了,而且一去不复返。再后来,看了许多历经岁月沧桑的古代陶瓷遗珍,那种在器物表面形成的朴实无华的古旧感,实在让人心动。陶瓷艺术在中国有悠久的历史,上佳者有石的坚硬、冰的晶莹、玉的温润,在中华文明的长河中有独特的文化定位。历朝历代好之者众多,上至天子下至黎民,多是如此,有的甚至不惜 When young children were poor, eat more coarse bowl, only when you use the fine bowl, but also a little bit wide meaning, and later the bowl of memory gradually Jingdezhen decals fine porcelain to be replaced, and gone forever. Later, after reading the many ancient ceramic relics that have experienced years of vicissitudes, the unassuming old-fashioned feeling formed on the surface of the utensils is truly impressive. Ceramic art in China has a long history, the best stone hard, ice crystal, jade gentle, in the long river of Chinese civilization has a unique cultural orientation. Many dynasties from generation to generation, from the emperor to Limin people, is so, and some even at the