著名美术史论家的声誉让曹意强在进行身份转换时有了一种不可承受之重,他在美术史论研究方面的卓越成就使他的理论家身份得以广泛地确认。因此,当曹意强拾起画笔从事创作时很多人自然会做出这样的判断:一位理论家的美术创作。跟进的逻辑便是这样的实践对理论家在研究艺术历史、艺术家和艺术作品时会大有裨益,至少会在技术的层面上能够帮助理论家加深对艺术家、创作过程以及艺术作品的理解和解读。但以我对曹意强学术和个性的了解,尤其是在看过他 The prestige of the famous art historian has given Cao Yeqiang an unbearable weight in the conversion of his identity. His outstanding achievements in the study of the history of art make him widely recognized as a theorist. Therefore, when Cao Yi strongly picked up the brush in the creation of many people will naturally make such a judgment: a theorist’s art creation. The logic of follow-up is that such practices would be of great benefit to theorists in the study of the history of art, artists and works of art, at least technically capable of helping theorists to deepen their understanding of the artist, the creative process, and the work of art Interpretation. But with my understanding of Cao Yiqiang’s academic and personality, especially after seeing him