中国文化的丰富性,根植于众多民族文化的沃土中,民间艺术鲜明地反映了各民族文化的纷繁多姿和深厚传统。《中国民间织绣印染》从一个侧面,显示了我国各民族的智慧与文化演进的轨迹。作者黄钦康先生结合多年教学实践,进行了广泛而深入的野外考察及精心搜集,苦心经营,终于成书。该书首先从史学角度,由纵向入手,扼要明晰地阐述了中国民间织绣、印染的滥觞和沿革;又从横向对不同地域、不同民族的染织品类及其工艺技巧,作了详尽而精辟的论述。大量精彩的图片,更向读者提供了具体的官感印象,结合作者侃侃而谈的剖析去浏览精美的图片,是读者的一种精神享受。对图片的选择,作者无疑是以文化人类学的视野为切入角。因此,许多图案纹样,蕴含着深邃的文化内涵,传达了远古时代的信息。汉族的龙图腾,苗族的鹰图腾、蛙图腾及黎族的鱼图腾,这些抽象的造型,十分类似我国原始彩陶上的纹样,这当然不是巧合,因为图腾 The richness of Chinese culture is rooted in fertile soil of many ethnic cultures. Folk art clearly reflects the diverse and profound traditions of various ethnic cultures. From a side, “Chinese folk embroidery printing and dyeing” shows the trajectory of the wisdom and cultural evolution of all ethnic groups in our country. The author Mr. Huang Qinkang years of teaching practice, carried out extensive and in-depth field visits and careful collection, painstaking management, and finally book. The book first from a historical perspective, starting from the vertical, concise and clear description of the Chinese folk embroidery, printing and dyeing of the origins and evolution; from the horizontal to different regions and ethnic groups of the dyed fabrics and craftsmanship made detailed and insightful The discussion. A lot of wonderful pictures, but also to the reader to provide a specific sense of the impression, combined with the author’s talk about the analysis to browse beautiful pictures, is a reader of a spiritual enjoyment. The choice of pictures, no doubt, is based on the cultural anthropology perspective. Therefore, many patterns, patterns, contains profound cultural connotations, convey the message of ancient times. Han totem dragon, totem Hmong totem, frog totem and tibetan fish totem, these abstract shapes, is very similar to the pattern of our original pottery, which of course is not a coincidence, because the totem