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九十年代的小说创作出现了区别于八十年代文学的鲜明特点 ,这种区别可以从多方面进行分析和解释 ,从文学与民间的关系角度看 ,九十年代的小说有着明显的民间化倾向。本文就是试图以描述性的方法说明九十年代小说中“民间”的不同呈现形态 ,以及民间对九十年代小说创作的重要意义。本文研究的对象是中国九十年代有“民间”倾向的小说作家和作品 ,在梳理九十年代“民间”概念的同时 ,提出自己对于民间的理解并展开的对民间与作家审美倾向 ,创作特点之间关系的分析。主要有两部分构成 :( 1 )导论 ;( 2 )具体作家文本分析。在第一部分中主要说明九十年代小说创作中民间化的几种主要表现形式 ,并说明社会学意义上的“民间”与文学意义上的“民间”的联系与差异 ,提出本文所要研究的“民间”是在民间世界里寻找到并在文学作品中表现出来的一种精神空间 ,这一空间充满了自由 ,生命 ,快乐与活力 ,“藏污纳垢”又生机勃勃 ,也包含着对于奴役的反叛和承受苦难的坚韧意志。在第二部分对韩少功的《马桥词典》,张炜的《九月寓言》,余华的《许三观卖血记》这三部作品进行了具体分析 ,从民间语言在九十年代的意义 ,民间理想的高蹈 ,民间的特别性格与生存哲学三个方面说明民间对作家创作的影响 ,以及民间作为一种写作资?
The distinctive features of the literature in the 90s emerged from the novels of the 1980s. Such differences can be analyzed and explained in many aspects. From the perspective of the relationship between literature and folk, the novels in the 90s have obvious tendency towards folk custom . This article attempts to describe the different forms of “folk” in the novels of the 1990’s in a descriptive way and the significance of the folk to the creation of novels in the 1990s. The object of this article is the novel writers and works with the tendency of “folk” in the 1990s in China. While combing the concept of “folk” in the 1990s, I put forward my own understanding of folk and the aesthetic tendencies and creative features of folk and writers Analysis of the relationship between. Mainly consists of two parts: (1) Introduction; (2) text analysis of specific writers. In the first part, it mainly explains several main manifestations of the folk custom in the novels of the 1990s and illustrates the connection and difference between “folk” in the sociological sense and “folk” in the literary sense. It points out that the “ ”Folk“ is a kind of spiritual space which is found in the folk world and is manifested in literary works. This space is full of freedom, life, happiness and vitality. It is also full of vigor and vitality for enslavement The rebellious and tough will to suffer. In the second part, I make a concrete analysis of three works of Han Shaogong, such as ”Maqiao Dictionary“, Zhang Wei’s ”September Fables“ and ”Hua Xuanguan Selling Blood" by Yu Hua. From the perspectives of folk language in the 90’s , Folk ideal high dance, folk special character and existential philosophy three aspects of folk influence on writers, as well as folk as a kind of writing capital?