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一位身着新娘朱红服饰的女子,靠坐一只巨大的木制车轮轴上。她的双手打开,幻化排列成为车轮形象。纤纤素手,仿佛有了一种飞翔的姿态。《乔家大院的女人》摄影作品,日前获得第六届“奥赛”中国组大奖。奥地利超级摄影巡回展是当今世界规模最大、水平最高的国际摄影沙龙。虽然画意摄影早已不是新鲜事物,但当李伟光把他的系列作品贴到网上,迎来惊叹之时,也有反对之声。原因很简单,后期的制作不是摄影,而是用摄影绘画了。就在争论之中,大奖的到来似乎是种肯定。
A woman in a bridal dress, sitting on a huge wooden wheel shaft. Her hands open, turned into a wheel image. Slender hand, as if with a flying gesture. “Qiao Courtyard courtyard woman” photography works, recently won the sixth “Orsay ” China group award. Austrian Super Photography Tour Exhibition is the world’s largest and highest level of international photography salon. Although pictorial photography has long been nothing new, when Li Weiguang posted his series on the Internet and ushered in exclamation, there was opposition. The reason is very simple, post-production is not photography, but the use of photographic painting. In the debate, the arrival of the prize seems to be kind of sure.