荷,入画好。我曾听说,世上漂亮的花不香,香花不漂亮,二者得兼者,只有荷花。荷花的漂亮不在艳,而在端庄;荷花的香气不在浓、而在清淡。这是荷的品格,人见人爱。荷有阔大肥厚的叶,宜于在宣纸上水墨淋漓泼墨为之。荷有修长的外柔内刚的杆,宜于纵笔长线,无所顾忌而阿娜多姿。再在随便一处或藏以雀鸟,或置以游鱼,或干脆什么也没有,仅露三两瓣花片足矣。荷塘里,你挨着我,我拥着你,微风起处,叶叶杆杆并不朝一边倒过来倒过去,而是错杂摇曳,顾盼有情。荷,长、大、直、圆,在画上撑得起,压得住,不怕画幅大,大无谓,大无畏,越大越洒脱,越大越骄傲。 Dutch, good painting. I have heard that the beautiful flowers in the world are not fragrant, the fragrant flowers are not beautiful, and the two of them are both only lotuses. Beautiful lotus is not Yan, and dignified; lotus aroma is not concentrated, but in light. This is the character of the Netherlands, cute. Loaded with fat and broad leaf, it is appropriate to ink on the Xuan paper dripping ink. Loaded with a slender outer soft inner just rod, should be pen long line, without scruples and na na multicolored. And then at a random place or possession of birds, or set to swim fish, or simply nothing, only three or two petals flatter enough. Lotus pond, you are next to me, I hold you, the breeze from the leaf lever pole does not turn upside down in the past, but fickle, looking forward to love. Dutch, long, big, straight, round, can hold on the painting, pressure, not afraid of large format, meaningless, fearless, the greater the more free and easy, the greater the more proud.