就中国花鸟画而言,从工笔写实到写意,再发展至将观念的意象表现化,以物化意,以心造型,意趣在笔墨之外,用书法之姿动线条,营造物像之神趣。无不浸透着艺术家之才智与汗水。欧阳文忠云:“古画画意不画形,聊诗咏物不隐情,忘形得意知者寡,不若见诗如见画”。古之书画大家特别强调— As far as China’s flower and bird paintings are concerned, from the realistic and realistic to the freehand, and then to the expression of the concept of the image, with materialized intention, heart-shaped, interesting in the pen and ink, . All are saturated with the artist’s wisdom and sweat. Ouyang Wenzhong Yun: “Old painting meaning is not a painting, Chant poetry Chant things not implicit feelings, forgetfulness was unknown, not see poetry such as painting ”. Ancient calligraphy and painting everyone special emphasis -