赵孟頫为我国元代的著名书画家,其书法作品及书画理论对明清以后的中国书画艺术及中华文化传承产生了广泛而深远的影响。然而,许多评论对其坚持的书法“古意”观不甚理解,对其“仕元”的行为颇为诟病。笔者通过对赵孟頫书法特色、书画理论进行研究,对其“仕元”的思想根源进行分析,进而提出中华文化浸染性的观点。 Zhao Mengfu was a famous painter in the Yuan Dynasty in China. His calligraphic works and calligraphy and painting theory had a broad and far-reaching impact on Chinese calligraphy and painting and the Chinese cultural heritage after the Ming and Qing Dynasties. However, many critics do not quite understand the “calligraphy” concept that it insisted on and criticized its behavior. Through the study of Zhao Mengfu’s calligraphic features and calligraphy and painting theory, the author analyzes the ideological roots of his “Shi Yuan”, and then puts forward the view that the Chinese culture is impregnable.