画面上出现一个亮点,这个亮点越来越大,越来越具体,这时我们终于看清,是镜头跟随着列车正穿过隧洞,奔向一个光明的出口。后面我们会知道,这个出口其实是人生最大的一片黑暗。这是一个不得不展开的黑暗,因为黑暗本身就像一个包装,里面包裹着人生片断的温馨——可能是一粒“薄荷糖”。李沧东的电影《薄荷糖》利用我们眼睛的现实爱好,把我们带入了一个光明的假象。 A bright spot appears on the screen. This bright spot is getting bigger and bigger and more concrete. At this moment, we finally see that the lens follows the train going through the tunnel to a bright exit. We will know later, this exit is actually the biggest darkness in life. This is a darkness that has to unfold because the darkness itself is like a package wrapped in the warmth of a piece of life - probably a mint. Lee Cangdong's movie Mints uses the reality of our eyes and brings us into a bright illusion.