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中国写意画,在悠远的中华民族美术史上留下了璀璨的一页。它以简练的笔墨、多变的线条及渗化的墨彩,来描绘物象的形态和神韵,是在中国传统哲学思想与书法精神陶养下形成的一门独特艺术表现形式。长期以来,对中国画写意形态的研究,难以率而明言其宗,统而演其流变,特别是中国写意画特征从何时凸显而出,始终困扰着学界,考其原因主要是实物资料的匮乏。从《历代名画记》、《唐朝名画录》及后世诸多画史画论可知,
Chinese freehand painting has left a bright page in the long history of the Chinese nation. It depicts the form and charm of objects and objects with concise brushwork, changing lines and infiltrated ink colors. It is a unique artistic expression formed under the traditional Chinese philosophical thinking and calligraphy spirit. For a long time, the research on the freehand brushwork morphology of Chinese painting is difficult to rate and clear its case, while its rhetoric, especially when the characteristics of Chinese freehand brushwork highlight the academic circles, the reason is mainly the physical material Scarce. From the “history of famous paintings in mind”, “Tang Dynasty famous painting recorded” and many later painting history painting theory shows,