早在状态更新、基于地理定位的社交网络以及用数字合成的图像记录一日三餐诞生之前,去年夏天于回顾展筹备期间溘然离世的河原温,用其50余年的艺术生涯致力于将日常生活浓缩成了一系列的模拟数据录入(却富有人类的幽默感)。尽管搜集了一些与身体直接相关的信息——他去了哪儿、吃了些什么,以及几点起床——河原温却没有像其他持续性创作的先驱一样,如布鲁斯·瑙曼与谢德庆,去探索行为的临界性。他的作品反而试图将自身体验压缩成坐标、图表,以及声明,将记录俗务视为艺术创作:“我起床”、“我到过”以及“我遇 Kawabe Uehara, who passed away last summer before the retrospective preparations last summer before becoming state-of-the-art, geo-location-based social networks and digitally compositing images to record three meals a day, devoted more than 50 years of his artistic career to everyday life Concentrated into a series of simulated data entry (but rich in human sense of humor). Despite collecting information that is directly related to the body - where he went, what he ate, and when he got up - Kawara worked just as well as other pioneering pioneering writers such as Bruce Nauman and Hsieh Tok-kwan Explore the criticality of behavior. Instead, his work attempts to compress his experience into coordinates, diagrams, and declarations, treating recorded folklore as artistic creation: ”I get up,“ ”I’ve been there,“ and ”I met