“死亡”是《哈姆雷特》中剧本人物反复思量的终极问题,同时也是高频发生的事件。“死亡”作为该剧本的重要母题,必然也有着丰富的研究价值。通过对《哈姆雷特》中众多“死亡”事件分析研究,我们不难发现,莎士比亚在众多的“死亡”情节中演绎着文艺复兴文化语境下基督教对“死亡”母题的宗教阐释,即救赎、皈依和沉沦。 “Death ” is the ultimate problem in the repeated consideration of script characters in Hamlet, and it is also an event occurred in high frequency. “Death ” as an important motif of the script, must also have a wealth of research value. Through the analysis of many “deaths” events in Hamlet, it is not difficult to find that Shakespeare’s Christianity interpretation of the “death” motif in the context of Renaissance culture in numerous “death” episodes Religious interpretation, namely redemption, conversion and sinking.