在西方现代文艺作品中,经常出现男性强奸杀人犯的形象,尤其在魏玛共和国时期的大众剧作品中表现突出。本文以霍尔瓦特大众剧为例,进行典型作品的文本细读,结合同一时代的代表性作品,分析和归纳强奸杀人犯形象特点,并且进一步挖掘作品中埋藏的社会深层次原因。最后,本文从戏剧理论出发,指出霍尔瓦特戏剧理论思想是对亚里士多德的戏剧净化论思想的发展和丰富。 In the western modern literary works, the image of male rape murderers often appears, especially in the works of the public drama of the Weimar Republic. Taking the Holvat drama as an example, this paper makes a detailed reading of the typical works, analyzes and summarizes the characteristics of the images of rape murderers with the representative works of the same era, and further digs into the deep-seated reasons of the society buried in the works. Finally, this thesis starts from the theory of drama and points out that Holt’s theory of drama theory is the development and enrichment of Aristotle’s theory of dramatic purification.