玛格丽特·阿特伍德在小说《羚羊与秧鸡》中所书写的末世景观表达了作者对人类中心主义的批判。本文从生态女性主义的动物伦理观出发,探讨作品中环境、动物和女性的他者群像,从而进一步阐释物种歧视与性别歧视、种族歧视的思想根源并无二致。作为我者的人类与他者的关系不是静态的而是动态发展的,二者之间可以相互转化。人与环境和动物,男性与女性之间应该是一种和谐、多元和并存的关系。 Margaret Atwood’s end-of-earth landscape, written in the novel “Antelope and Corncrake,” expresses the author’s critique of anthropocentrism. Based on the ecofeminist animal ethics, this article explores the group of environment, animals and females in the works so as to further explain the ideological roots of species discrimination and sexism and racial discrimination. The relationship between human beings and others as my being is not static but dynamic. The two can transform each other. Man and the environment and animals, men and women should be a harmonious, pluralistic and co-exist relationship.