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巴赫金的时空体概念,不仅将叙事中的时间和空间整合起来,而且关注时空与人物和情节的互动,为阐释《马丁·德赛勒》的空间叙事提供了新的角度。《马丁·德赛勒》的时空体表现为19和20世纪之交美国的城市、旅馆和展馆,从而使得这部小说成为一部资本的寓言:小说的主人公虽然因为从事资本化的空间生产而成功,但他最后因为“空间的恋物癖”而跌入资本的陷阱惨遭失败,表明了作者对作为意识形态的美国梦的虚幻本质的批判立场。
Bakhtin’s conception of space-time not only integrates the time and space in the narrative, but also focuses on the interaction of space and time with the characters and the plot, providing a new perspective for explaining the space narration of Martin Desail. Martin Desail’s space-time manifestations are the cities, hotels and galleries of the United States at the turn of the 19th and 20th centuries, making this novel an allegory of capital: although the protagonist of the novel, though engaged in capitalist space production However, his failure to fall into the capital trap finally because of “space fetishism” shows his author’s critical position on the illusory nature of the ideological American dream.