“生产”的情境“消费,作为必需,作为需要,本身就是生产活动的一个内在要素。”——马克思,《1857-1858年经济学手稿》“生产”这个词在艺术实践中的正面意义往往是指:在批判惯性思维的基础上,各种可能性不断相互作用的“生成”状态,而不是目的导向明确的标准化、批量化生产。当代城市无疑是一部产生着知识、欲望和权力的巨大机器。包括艺术体制批判在内的当代理论,更多从社会学、人类学和日常生活的文化角度,对消费展开批判。这是因为传统马克思主义 “Production ” Situation “Consumption, as an essential and, as a necessity, itself is an intrinsic element of productive activity.” - Marx, The Economi- cal Manuscript 1857-1588, In practice, positive meanings often refer to a state of “production” that constantly interacts with each other on the basis of criticizing inertial thinking, rather than a goal-oriented standardization and mass production. The contemporary city is undoubtedly a huge machine that produces knowledge, desire and power. Contemporary theories, including criticism of the art system, criticize consumption more from the perspectives of sociology, anthropology and daily life. This is because of traditional Marxism