以音乐谱写的悲剧神话与人类精神——析赵晓生新作《交响诗篇——神话四章“昱”》

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引言世界上每个民族都有自己独特的历史脉络,然而若要追溯其起源,则几乎都会进入“神话”领域。或曰:神话源出于人类对世界本源的好奇、对超凡力量的崇拜、对美好理想的追求。它们久远无考、任人解读、亦真亦幻、累世相传,并能源源不断地引起共鸣和思索,昭示出超越时空的永恒价值。“上海之春国际音乐节·上音作曲系教师新作专场音乐会”(2015.5.17,上交音乐厅,卡夫卡指挥上海爱乐乐团)上首演的赵晓生新作《交响诗篇——神话四章“昱”》,即是一部深刻 INTRODUCTION Every nation in the world has its own unique historical context, but almost all of it goes into the realm of “mythology” if its origins are to be traced back. Or say: Myth originated from human curiosity of the origin of the world, the worship of extraordinary powers, the pursuit of a beautiful ideal. They are far from the test, interpretation of any man, true and false, handed down from generation to generation, and aroused constant resonance and reflection, showing the eternal value beyond time and space. “Shanghai Spring International Music Festival, Shanghai Music Composer Department for new concert” (2015.5.17, concert hall, Kafka conductor Shanghai Philharmonic Orchestra) on the debut of Zhao Xiaosheng new works “Symphonic Psalms - The myth of four ”Yu“ ”, that is a profound
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