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具有英国音乐复兴大师之称的爱德华·本杰明·布里顿(E·B·Britten,1913—1976)一生创作了大量优质的音乐作品,涉猎体裁尤为广泛,如合唱43首,管弦乐24首,配乐20多首,改编曲40部,歌剧16部,这位成果斐然的作曲家大师固然是国内学者们研究的重要目标之一,出现了很多研究成果①,其中对确立他在音乐界地位的歌剧的理论研究成果尤为突出,笔者共收集专著、论文二十余部(篇)。总体观之,国内的研究现状大致如下:一、整体介绍型众所周知,对歌剧的脚本、剧情、幕场次、人物、结构、乐队的构成等成分做介绍是展现一部歌剧的第一步,必不可少,这些歌剧成分不仅是普通观众认识、欣赏歌剧的第一步,同时也
Eduard Benjamin Britten (1913-1976), known as the Master of British Music Renaissance, has created a large number of excellent musical works throughout his life. His works are of wide range of genres, such as choral 43, orchestra 24, More than 20 songs, 40 pieces of rehearsal songs and 16 operas, the accomplished composer master is certainly one of the important goals studied by domestic scholars. Many studies have been made, of which there is a lot of research on establishing his opera in the music field The theoretical research results are particularly prominent, the author collected a total of monographs, papers more than 20 (articles). Overall, the current status of research in China is as follows: I. INTRODUCTION As we all know, introducing opera compositions, scripts, screenings, characters, structures and composition of the band is the first step to show an opera. It is indispensable that these opera compositions are not only the first step for the general audience to know and appreciate the opera,