王朝闻(美学家) 这本画册的图片摄,书籍装帧与制版都很精美。作品的民族特征鲜明。前言虽短却有相应的学术性。如果再版时能说明作品的尺寸,产生的年代和搜集的地方就更好些。尽管还有美中不足之处,它将增强中华民族的自豪感。它不只有助于兄弟民族的相互团结,也有助于海外华侨和国际友人对我们的理解。对文化虚无主义的荒谬言论,更是一种有力的形象的驳斥。不知道为什么有些品种没有选入,汉族的戏曲脸谱也是一种很出色的图案呀。也许607幅的篇幅已经不少,所以有些专项不能不割爱吧?看来最受优待的是苗族图案,几乎可以说这一组的每一幅都是非常优美的。有一幅《贵州苗族挑花图案》,构图与色彩都可令人叫绝。一般地说,正方形、长方形和直线在画面上是很难处理的。但它们在画面上的反复出现,有正有斜,有长有短,与犬牙纹的锐三角等组成单位的巧妙结合,互相呼应,互相对比从而形成无声的节奏。整体变化多端,生动活泼,质朴端庄而不呆板和单调。宝蓝色的织物的底色,与白色以及黄色、红色的花线的结合、虚实关系处理得富有匠心,却并无设计吃力的丑感。这样的图案设计使我们联想到难度很大的杂技走钢丝,既有惊奇感又好像是信手拈来,毫不费劲而有轻松活泼的美。只谈到这一作品,并不是认为其他作品一定不如它美。包括随手一翻就映入眼帘的其他作品(例如《湖南土家族织物图案》159页),在题材、结 Dynasty smell (esthetician) This picture book photo shoot, book binding and plate making are very beautiful. The ethnic characteristics of the work are clear. Although the foreword is short but has the corresponding academic. If the reprint can explain the size of the work, the generation of the time and place to collect better. Despite its deficiencies, it will enhance the pride of the Chinese nation. It not only helps the fraternal peoples to unite with each other, but also helps our overseas Chinese and overseas friends understand us. The ridiculous rhetoric of cultural nihilism is even more of a powerful refutation of the image. Do not know why some varieties are not selected, the Han opera mask is also a very good pattern ah. Perhaps 607 of the length of the space has been quite a lot, so there are some special can not cut it? It seems the most preferential treatment is the Miao pattern, almost every one of this group can be said is very beautiful. There is a “Miao nationality pick pattern”, composition and color can be stunning. In general, squares, rectangles and lines are difficult to manipulate on the screen. However, they repeatedly appear on the screen, there are positive and negative, there are short and long, with the dog tooth pattern sharp triangle and other components of the ingenious combination of mutual response, contrast with each other to form a silent rhythm. The overall changeable, lively, simple and dignified and not dull and monotonous. The background color of the blue-and-white fabric, combined with the white and yellow and red flower lines, is rich in originality but has no design sense of ugliness. This pattern design reminds us of difficult acrobatic tightrope wire, both surprises and seems to come in handy, effortless and have a lively beauty. Just talking about this work does not mean that other works must not be as beautiful as it is. Including the other works that come to light immediately (for example, “Hunan Tujia Fabric Pattern” 159 pages), in the theme, knot