吴毅在半个世纪以来对中国水墨艺术现代性的探索中,始终是一个静穆而纯粹的思考者和实践者。他在西方反观自身,愈理解到中国艺术的深厚和高远。他认为中西是两个文化源,其源流和学统各自成章,中国艺术按照自己的道路发展自会达到一个很高的境界。而他的绘画,熔铸中国传统各家并经受了山川自然 Wu Yi’s exploration of the modernity of Chinese ink art in half a century has always been a quiet and pure thinker and practitioner. In the West, he looked back at himself and learned more about the profound and lofty Chinese art. He believes that China and the West are two cultural origins, and their origins and systems are each in such a way that Chinese art will reach a very high level according to its own development. His paintings, however, cast Chinese traditional houses and experienced natural mountains and rivers