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基于20世纪重庆的陪都艺术、世纪末期的重庆美术创作及美术发展的本土化来探讨重庆美术发展的几个具有代表性的问题，在经过对它们的阐释反思后认为在中西艺术对话中应该确立一种以区域艺术为主和以反映当下社会的精神状态为主的创作观念。由此来强化重庆作为我国少有的几个艺术创作中心之地位。
Based on the art of the capital of Chongqing in the 20th century, the art creation in Chongqing and the localization of the art development in the late 20th century, this paper explores several representative issues of the development of art in Chongqing and considers that they should be established in the dialogue between China and the West after reflection on them A kind of creation idea mainly taking the regional art as the main state and reflecting the current state of the society. This will strengthen Chongqing as one of the few artistic creation centers in China.