中国艺术尽管种类繁多,然而在创作理念与轨迹上却是相通的。从模仿和虚拟出发,中国艺术主张以“道法自然”的方式,追求“天人合一”的境界。本文认为这种虚拟美学特征贯穿了中国艺术的起源和发展历程,也让其拥有了无穷的生机与活力。鉴于此,文章从观物取象、立象制器和以器观道三个层次逐层深入,对传统艺术的虚拟美学特征进行了初步探索和研究。 Although a large variety of Chinese art, however, it is similar in the creative concept and trajectory. From the perspective of imitation and virtuality, Chinese art advocates the pursuit of “harmony between man and nature” in the way of “Taoism and Nature.” This paper argues that this virtual aesthetic characteristic runs through the origin and development of Chinese art and gives it endless vigor and vitality. In view of this, the article explores and studies the virtual aesthetics of traditional art from the perspectives of material objects, imagery, and device.