徽州木雕是著名的“徽州三雕”(砖雕、石雕、木雕)之一,既有单个的立体雕件又有多个建筑构件的组合,特别是作为建筑构件在徽州古民居中大量使用。它以浓郁的徽州乡土气息和艺术风格有别于其他流派而享誉海内外。明代初年,徽派木雕已经初具规模,雕刻风格拙朴粗犷,以平面浅浮雕手法为主。自明代中叶以后,随着徽商财力的不断增强,炫耀乡里的意识日渐浓厚,木雕艺术也逐渐向精雕细刻过渡,从而使多层透雕取代平面浅浮雕成为主流。徽州木雕的制作过程主要有两 Huizhou wood carving is one of the famous “Huizhou three carving” (brick, stone, wood carving), both a single three-dimensional carving pieces and a combination of multiple building components, especially as a building component in a large number of ancient houses in Huizhou use. It is rich in Huizhou native flavor and artistic style is different from other genres and renowned at home and abroad. Early Ming Dynasty, Huizhou wood carving has begun to take shape, the rough style of carving simple, shallow bas-relief technique. Since the middle of the Ming Dynasty, with the increasing financial resources of Huizhou merchants and the increasing awareness of showing off in the village, the art of woodcarving has also gradually moved toward carving and carving, thus making the replacement of flat bas-relief by multilayer openwork into the mainstream. Huizhou wood carving process has two main