胡风生平简要。胡风对两种文学倾向不满。一种是对周作人和林语堂的脱离现实的“兴趣主义”和“性灵主义”不满,认为这是与时代精神向背离的;一种是对“左联”内部的从前苏联引进的所谓“辩证唯物主义创作方法”以及其后在“左联”作家队伍中所产生的“主观公式主义”、“客观主义”不满,认为这是违背“现实主义”创作原则的。他在这既反右又反“左”的斗争中,从自己和同行的创作中,领悟并创构了一个理论,这就是后来给他带来无穷灾难的“主观战斗精神”论。从文学创作的认识论的层面看,胡风的“主观精神”论是一种独特的有价值的创作美学。从作家人格论的层面看,胡风在他的文学理论生涯中,所追求的是现实主义文学理论与人格塑造有关。其价值取向是为了追求高度的艺术真实。 Hu Feng life brief. Hu Feng is dissatisfied with two kinds of literary tendency. One is dissatisfaction with the “interestism” and “spiritualism” that are divorced from reality by Zhou Zuoren and Lin Yutang. They think this is a deviation from the spirit of the times. One is the so-called “dialectical theory” introduced from the former Soviet Union within the “Leftist” Materialist creation method “and subsequent” subjective formulaism “and” objectivism “produced in the ranks of Writers of the League of Leftist Writers. They think this is against the principle of” realistic “creation. In this struggle both against the right and the anti ”Left,“ he comprehended and created a theory from the creation of himself and his counterparts. This is the ”subjective fighting spirit“ that later brought him untold disaster. From the perspective of epistemology of literary creation, Hu Feng’s ”subjective spirit" theory is a unique and valuable creative aesthetics. From the perspective of the personality theory of writers, Hu Feng pursued in his literary theory career is that realistic literary theory is related to personality shaping. Its value orientation is to pursue a high degree of artistic reality.