电影蒙太奇构建电影的完整性和统一性,蒙太奇美学赋予电影独特的审美特性。爱森斯坦认为蒙太奇贯穿电影的每个层次。电影蒙太奇于电影的作用显而易见,电影的时空关系也是电影美学的一个重要内容,并与电影蒙太奇有着密切的联系,通过利用时空的特殊关系,并与蒙太奇技巧结合起来,可以产生新的审美效果。电影时空关系的一个明显的特征是电影的时空跳跃性。 Film montage builds the integrity and unity of the film, montage aesthetics gives the film a unique aesthetic. Eisenstein believes that montage runs through every layer of the movie. The role of the movie montage in the movie is obvious. The film’s space-time relationship is also an important content of movie aesthetics and closely linked with the movie montage. It can create new aesthetic effects through the use of the special relationship between time and space and with montage techniques. One of the obvious features of the film’s space-time relationship is its spatiotemporal leaps and bounds.