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一、情节分类的难度与模式在叙述学的所有讨论中,标准最不能达成统一的,可能是对情节的分类。情节有各种分类法,但是每一种分类标准几乎都没有足够的理由说服其他人。赵毅衡总结道:“在现代叙述学中,情节结构是讨论者最多而取得一致最少的领域。”~((1))查特曼认为:“情节类型的区分是叙事研究领域中问题最大的领域,它很可能需要等待”。~((2))本文首先清理已有的分类模式,然后大胆地提出一个分类设想。对情节的分类有几种不同的出发点模式,查特曼总结了两种宏观型情节模式。第一种模式是按人物的特点分类。亚里士多德坚持按主人公的道
First, the difficulty of plot classification and mode In all discussions of narrative learning, the standard can not reach a unified, may be the classification of the plot. There are various taxonomies for the plot, but there is hardly any reason for each of the taxonomies to persuade others. Zhao Yirong concludes: “In modern narrative studies, the plot structure is the one with the most discussion and the least consensus.” ~ ((1)) Chartman argues that “the distinction between plot types is a matter in narrative research The biggest area, it is likely to need to wait ”. ~ ((2)) This paper first clean up the existing classification model, and then boldly put forward a classification idea. There are several different starting-point patterns for plotting episodes, and Chartman summarizes two macro-plot patterns. The first model is based on the characteristics of the characters classified. Aristotle insisted on the hero’s road