采访倪萍那天她是这么出现的:散着头发,素着一张脸,宽松的晨练服和面部线条一样懈怠。走路有点僵直,腿先伸出去,腰慢一拍才跟上,年轻时拍戏落下的病根,治疗了一年多,已经算“好多了”。聊了一会儿之后,化妆师邵京京来了,搬了个椅子到窗前,拉着倪萍坐过去。没有化妆镜,倪萍就这样把自己托付给了她。她和倪萍合作了快30年,麻利地不需要一点语言交流,直接上粉底,打阴影,画眉毛和眼线。刘海高高吹上去,头发从发根一绺一绺梳蓬,再一层一层抿回 Interview with Ni Ping that day she is so: scattered hair, with a face, relaxed morning wear and facial lines as slack. Walking a bit stiff, the first leg outstretched, waist slowly pat to keep up, young filming the root cause of the fall, the treatment of more than a year, has been considered “much better ”. After chatting for a while, makeup artist Shao Jingjing came, moved a chair to the window and took Ni Ping to sit in the past. No makeup mirror, Ni Ping so entrusted to her. She and Ni Ping co-operation for almost 30 years, fluently without a little language exchange, directly on the foundation, playing shadows, painting eyebrows and eyeliner. Bangs up high, the hair from the root of a hair 绺 绺 comb Peng, and then layer by layer 抿 back