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我解读程克的油画,是从第三届全国青年美术作品展览油画评选现场开始的。其中有一幅风景油画吸引了我的目光,画面表现的是黄土高原的一个片断局部。沉甸甸的厚重和舒缓的笔触,近于黄灰的单纯色调,画风自然质朴。这幅油画在国内青年画家普遍追求油画当代技和艺的表现的境遇中,反而显现出了作者对朴素艺术格调的追求和表现出的艺术感染力。在此我并非说明程克身在艺术潮流之外。回顾以往历代油画大家创作的非常质朴的艺术作品,无不具有绵长持久的艺术感染力量。面对着夏尔丹笔下的家庭器物,米勒表现农村劳作
My interpretation of Cheng Ke’s paintings began with the selection of oil paintings from the Third National Youth Art Exhibition. One of the landscape paintings attracted my attention, the picture shows a part of the Loess Plateau. Heavy heavy and soothing brush strokes, near the pure color of yellow-gray, natural and simple style of painting. In the midst of the domestic young artists’ general pursuit of the contemporary art and performance of oil painting, this painting shows the author’s pursuit of the simple artistic style and the artistic appeal displayed. Here I am not saying that Cheng Ke is outside the artistic trend. Recalling the very simple works of art created by all previous oil paintings, all have a long and lasting artistic appeal. In the face of Chardin’s family objects, Miller showed rural labor