龚贤的山水画在我国山水画中所起的作用可谓是前无古人,后无来者的作用,龚贤的早期山水画主要以简单、淡雅、空灵为主,其画面一般墨色简而少,由于不得志等诸多原因到了晚年画风改变了很多,画面多采用浓墨,层层积染,苍黑浓郁,浑厚深沉。进而创作了“积墨法”主要着力于控制墨色层次,反复积染。龚贤是一个集诸家之长者,多以董源、巨然、沈周为范,注重笔墨情趣的思想,更体现出“山水以形妩道”的美学思想,挥洒着更加纯粹洒脱的笔墨来抒发自己的内心感情,达到了情景交融,至真至美的和谐韵律。不愧为金陵八家之首。 Gong Xian’s landscape painting in China’s landscape painting played a role can be described as unprecedented, after no one’s role, Gong Xian’s early landscape mainly in simple, elegant, ethereal, the picture is generally simple and less ink, due to disobedience and so on Many reasons to change the style of painting a lot of old age, the screen more with thick ink, layers of stained with dark rich, deep and deep. And then created “plot method” mainly focus on controlling the ink level, repeated plot stained. Gong Xian is a collection of elders, and more with Dong Yuan, Ju Ran, Shen Zhou as the van, pay attention to the pen and ink of the idea, but also reflects the “landscape to shape Mo said ” aesthetic thoughts, sway more purely free and easy ink To express their inner feelings, reached the scene blend, to the true rhythm of harmony. Worthy of the first eight Jinling.