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纵观学界对翟永明诗歌的研究,以其20世纪80年代诗歌创作特色、女性意识的阐释和解读以及与朦胧诗派舒婷或同一时期黑暗诗学的对比研究为三大路数,而对其90年代以来诗歌现状研究较少。基于此,本文将以翟永明90年代诗歌意象为研究对象,探索诗歌中意象的二元维度,揭示其诗歌创作归于“现实焦虑”与“古典诗意”的智性统一,总结出翟永明诗歌在“现实与传统”融合倾向下归于“平淡隽永”的美学风格,并逐渐建立了独特的个体诗学。
Throughout the study of Zhai Yongming’s poetry, Zhai Yongming’s poetry is characterized by its characteristics of poetry writing in the 1980s, the interpretation and interpretation of female consciousness, and comparative study with Dark Poetry School Shu Ting or dark poetics in the same period. There have been few studies on the current situation of poetry since the age. Based on this, this article will take Zhai Yongming’s poetic images of the 90’s as the research object to explore the dual dimensions of the images in poetry, revealing the intellectual unity of his poetic creation in “realistic anxiety” and “classical poetic” Zhai Yongming’s poetry belongs to the aesthetic style of “plain and meaningful” in the fusion of “reality and tradition”, and gradually establishes a unique individual poetics.