世间物象,往往有这种情况:一个面的光线过于强烈,另一个面将会在对比之下感觉暗然。对人的认识也是如此。大概因为李刚田在篆刻创作方面获得的荣誉太多太多,以致人们在心目中把他定格在篆刻家的位置上,而较少论及他的书法创作和理论研究——尽管他不断参加这类那类的创作评审或理论研讨。这不能不影响到对刚田的整体认识。 The things in the world are often the case: one side of the light is too strong, the other side will feel under the contrast secretly. The same is true of people. Probably because Li Gangtian gained so many honors in the creation of seal-cutting that people place him in the position of the seal-cutting artist with less consideration for his calligraphy and theoretical research - though he is constantly participating in this Kind of creative review or theoretical discussion. This can not but affect the overall understanding of Koda.