陕西西安何家村唐代窖藏出土的千余件文物中,有两件金花银匜十分引人注目。一件是鎏金鸳鸯鸿雁纹银匜(图一),长6.7厘米的流口(图二)有略呈直角的榫口,与匜体嵌合十分紧密,达到严丝合缝的程度。银匜底部的圈足系单独制作好后再焊接上去。银匜的内壁和外壁都经过反复多次的抛光打磨,加之长期使用所浸润的油气,因此光滑润泽,有如玉般的质感。外壁中央区域装饰一周花纹,花纹分为三组:三组阔叶折枝花与三组成对瑞鸟相间排列(图三),三组阔叶折枝花造型各异,三组成双的瑞鸟也各不相同,有并肩伫立的鸳鸯,有回眸对视的鸿雁,有低头衔枝的雀鸟(图四、五、六),形成节奏上的相互呼应,但又在同一性中有些许变化;装饰风格上与繁复细密的满地装迥然相异,简洁醒 Among the more than one thousand artifacts unearthed in the Tang Dynasty of Ho Ka Tsuen in Xi’an, Shaanxi Province, two silver flowers are very conspicuous. One is the golden duck maidenhair swan silver 匜 (Figure 1), 6.7 cm long flow outlet (Figure 2) has a slightly right angle tenon mouth, and 匜 body fitting very close to the level of strictures. Silver 匜 the bottom of the foot foot system made separately and then welded up. The inner wall and the outer wall of the silver trowel have been repeatedly polished and polished several times, combined with the long-term use of infiltration of oil and gas, so smooth and moist, jade-like texture. The central area of ​​the outer wall decorated the pattern of the week, the pattern is divided into three groups: three groups of broad-leaved branches and three sets of composition on the Swiss bird arranged alternately (Figure III), three branches of broad-leaved branches of different shapes, Different from each other, there are mandarin ducks standing side by side, with swan geese looking backwards and birds with low branches (Figure 4, 5 and 6), forming a rhythmic echo of each other with some changes in their identities. Decoration Style and complexity of complex filled with very different, concise wake up